Still, I think they're extremely interesting and (since they're made by the women themselves) they reveal a lot about the attitudes and lives in the villages of Hungary ninety years ago.

This one is a favourite of mine, despite the extremely gendered and sexist message which is typical of a lot of these. Part of the reason is the details of the "dream" home most peasants wouldn't have afforded at this time - running water, metal pestles, fashionable clothes - which seem humble and naive in retrospect. The details of that upward aspiration are fascinating and revealing. I also love the cartoonish expressiveness of the needlework.
But the message also has an undertone of, well, sass. The woman is asserting the limited power she's got in her home, and doing it in an underhanded way with a jocularly dismissive, mock formal tone. The third-person tense used is either over-respectful or talking down, and it's definitely from the woman's point of view.

This one is considerably less challenging and indeed bears the hallmark of a professionally-designed pattern with its composition and carefully measured size. Still, it's also got a bunch of interesting details, not least the wading and the considerably more everyday dress than in the first one. The at once romantic and highly mundane message is typical of these.

A very common theme on these hangings is boasting. Usually, it's boasting about how good a housekeeper you are (again, gendered, sexist, I know) and here it's unusually enough the male who gets to be the voice. Otherwise it's almost always the woman speaking.
Lots of marvellous details here, too, like the Trangia stove and the teapot-patterned border. Based on the hairstyles and clothing styles I'd place this one somewhat later, maybe in the forties, and the text and image are almost certainly not designed to be together since they're made with different thread and rather clumsily spaced.
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