Quick question, awaiting a better-working blogging computer next week or so.
How much do current events shape the way music is used and heard by its listeners? I don't just mean facile stuff like Michael Jackson resurfacing as a commercially viable artist in the wake of his death and the umpteen related tributes, but subtler shifts in the allowed terrain.
Take Iran. When I posted about Iranian music in March I couldn't claim to be part of any trend (although as usual Rachel was ahead of the curve), but after the election and the resistance I've seen posts of Iranian music everywhere, from Jace's Mudd Up! to Mad Decent. But also, in addition, I think there might be a generalised shift towards interest in the whole middle east, an area that's usually underrepresented in blog music. It may just be a coincidence, but the current global ghettotech blogging hotspot Generation Bass has posted an awful lot of arabic and persian vibes recently...
Cound resistance in Iran shift the centre of the music-blogging world eastward? It's hardly unprecedented, but it's interesting that the music thus discovered isn't just directly political or revolutionary. Definitely a product of our times – the news as an Esoteric Research Method, coincidence providing an opportunity to focus in on a spot in the endless information flow; politics as being seen on the internet no matter the message.
Ilê Aiyê Festival 2017
4 days ago